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Why do we draw the way we do? 

Though caricature, by definition, is an editorial comment and statement by the artist on on a subject, personal biases and preconceived notions about a face or individual person can be a hindrance to a caricature artist (and sometimes can be used as a crutch!). 

Being able to more accurately think through the often-times unconscious process of making a caricature ‘work’ will result in a more successful end result: a truer depiction of the subject.

Ed will attempt to bring to light the deeper aspects of caricature, going beyond just paying attention to facial features in front of you.  By incorporating human elements; a persons gestures, mannerisms, personality, etc., we can help bring more to a likeness and hopefully create a better caricature.

Inking is an art form rich in tradition in the cartooning and comic book world, and becoming lost in the digital age. Tom's inking workshop will take the participants through the creation of an inked caricature illustration on bristol board. After the class sketches out their caricature based on supplied references, Tom will work with everyone on finishing the illustration using a variety of inking techniques including use of dip pen, brush and crow quills. He will also go over concepts like spotting blacks, line weight, use of light and implied line and many other tips and tricks.

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Bring the following, or purchase a complete set of supplies onsite for $17.00:

- Pen nibs: Bring any drawing nib you would like to use. Crow quills, copperplate, etc. Do not bring any "lettering nibs". Supply package includes two Gillott 303 nibs.